golden archival spray varnish gloss

To restore the depth of the dark colors, apply a higher gloss to restore some of the sheen. Work from ashallow container to help control brush loading. However, many of these solvents can damage the acrylic paint, and are not recommended for removing varnish from paintings. If possible, work with the painting in a horizontal position, on a table or floor. While we have carefully selected the matting agent that is in Golden varnishes to be as transparent as possible, it is still a dry particulate material. Varnish removal requires the use of solvents, thus requiring proper personal protective equipment. ft. per gallon if by brush application; 800-1000 sq. The different finishes can be intermixed, or used sequentially, to achieve the desired sheen. We promise to never spam you, and just use your email address to identify you as a valid customer. In the event that no varnish gets applied, the isolation coat serves to decrease the water sensitivity of the paint surface, affording protection during routine cleaning/dusting. Use this spray-on acrylic varnish for an archival, non-yellowing finish on all media including paintings, drawings, ink-jet prints, etc. It is available in your choice of Gloss, Matte, or Satin finishes. Do not handle until all safety precautions have been read and understood. Clean tools with mineral spirits or other appropriate solvent immediately after use. Most curing will occur within two weeks. Spray three to four light even coats instead of one or two thicker applications, allowing enough time for drying between coats (1-4 hours, until surface is tack free). Small quantities can be allowed to evaporate. the surface is too absorbent. Excessive force may damage the paint layers below the varnish. Allow previous coats to dry thoroughly before recoating. If multiple coats are desired, start with the gloss varnish to build up and establish the multiple layers, then finish with one or two coats of the satin or matte finish. apply a satin or matte finish of the same kind of varnish already applied. It is produced with clear, 100% acrylic solution polymer and contains UltraViolet Light filters and Stabilizers (UVLS) to provide archival protection, inhibiting light damage. The varnish produces an extremely level finish, and is able to coat slick supports including glass and most plastics and metals . Fusce molestie elit a loremos tempus scelerisque blandit tortor cursus. Let varnish cure several days before packing or transporting art. Odorless or low odor solvents are often not strong enough. This will help ensure that all variables are accounted for, and a successful varnish application will be achieved. Please note: Our website prices and special offers may vary from instore listed prices. If the varnish gets cloudy and/or thicker, the solvent is not compatible and should be avoided. May be mixed with oils or alkyds to modify viscosity, drying time or improve resistance to cracking. Another quick check may be made by mixing the solvent into the wet varnish. As a topcoat for acrylics, it provides a harder, lower tack surface that is much less susceptible to dirt and is more mar resistant. They also have excellent weatherability, and thus require less maintenance than some of the other choices. Call or email Technical Support for additional information or assistance. $24.95. MSA Varnish (Matte) finish is exceptionally flat. A good procedure for removing the varnish is to start with a soft, low lint cloth (50/50 cotton/polyester T-shirt material works well). The varnish/solvent mixture was not thoroughly mixed. Be the first to review this product! If different sheens were blended together (gloss with matte), they may not have been thoroughly mixed. Archival Aerosol Varnish MSA with UVLS (7731 Gloss, 7736 Satin, 7741 Matte) is formulated with 100% solvent-based, reversible acrylic co-polymer resin. On acrylic paintings an isolation coatis helpful if future conservation or varnish removal is ever needed. There is no way of applying a satin/matte finish to a dark color without lightening it (the more matte the finish, the more potential for lightening dark areas). Golden Archival Varnish Gloss 10 oz Spray Can . Stronger solvents in turpentine presents additional health concerns and increase the risk of sagging and brush drag. It is an easy to use spray varnish made with fast drying acetone and a propellant. Properly applied, it creates a durable, even film with … GOLDEN Acrylic Varnishes are professional, archival, and most contain ultraviolet light filters and stabilizers to provide archival protection to inhibit light damage. Handling and storage Precautions for safe Usehandling only in well-ventilated areas. If maximum protection is required of the varnish layer, apply multiple coats. Spray: 2:1 to 1:1 depending on spray equipment. One option is to apply an artist-quality varnish that is removable with various solvents, allowing for graffiti removal and general maintenance. The size of the surface to be sprayed will determine the best type of spray equipment to use. the varnish may not have been thinned sufficiently to level during application. Using a warm, forced air source to blow across the surface should help the moisture evaporate, restoring clarity. Integer et est tellus non bibendum est. GOLDEN MSA Varnish w/ UVLS is such a product, and more complete application information is provided below. Stir thoroughly before using . If the diluted varnish is used over a long period of time without restirring, it may be separating (matting agents settling). This may be indicated by an extremely tacky or gummy surface. It is an easy to use spray varnish made with fast drying acetone and a propellant. A thick film of these reduced sheen varnishes will result in film cloudiness, and loss of clarity. Applying an isolation coatbefore varnishing is onlyrecommended for acrylic paintings. These varnishes can be sprayed from an airbrush, airless or air pressured spray equipment, or refillable aerosol equipment. If applying multiple coats, avoid overworking the wet varnish to minimize resolubilizing of the previous coats. Golden Archival Varnish is great product if you want a varnish that can be removed down the road. The Da Vinci Cosmotop Spin brushes are an example of this type. Identification Product identifier GOLDEN Archival Varnish (Gloss, Matte or Satin Finish) Other means of identification Not available. Careful inspection of the labels on the solvents to be used should aid in determining your safety needs. Praesent at justo congue leo adipiscing porta nec non sapien. The Golden Archival varnish is one of the best removable varnishes on the market. Archival Aerosol Varnish MSA with UVLS (Gloss, Satin, Matte) is formulated with 100% solvent-based, reversible acrylic co-polymer resin. Liquitex Professional Varnish. Back to top. © 1991-2020 Michelangelo Fine Art*, a lifestyle of creativity - Powered by Michelangelo Fine Art... Michelangelo Fine Art*, a lifestyle of creativity. The size of the piece to be varnished will determine the size of the varnish brush. Quisque dolutpat orci ut metus malesuada lorem in interdum lectus scelerisque. Description. Never pour solvent down the drain. This is particularly true for impasto surfaces. Do not repaint surface. Add to Cart. To achieve a uniform finish, start with a fresh mixture of varnish/solvent (thoroughly stirred) and apply another coat (may also consider removing the existing varnish layers). It is always best to apply the varnish on a horizontal surface in order to minimize running or sagging. The two-part system is good for artists that have specific requirements and need to be able to adjust how thick or thin the varnish is. Apply additional coats of isolating layers (only if no varnish is yet applied) or gloss varnish. Saturate this cloth in solvent and lay over an area of the varnished surface. Brush: 3 parts varnish to 1 part solvent. It is a permanent, non-removable coating thatserves to physically separate the paint surface from the removable varnish. Another choice for protecting the mural is to use some of the various graffiti-resistant finishes that are commercially available. High humidity or a damp surface under the varnish layer, often causes loss of clarity. Maintaining a wet edge when overlapping will yield the most even finish. The solvent soaked cloth and leftover solvent should be handled and disposed of carefully. if using a satin or matte varnish, and this only occurs over dark colors, this may simply be the nature of such a reduced sheen varnish (caused by the presence of the matting agent). Golden Archival Spray Varnish provides a protective finish layer for fine artwork created with a wide variety of mediums, including acrylics, oils, pastels, watercolours, temperas, and inkjet prints. Praesent eu odio ut nisi ullamcorper ultricies. It’s a good option to have if you wish to do any retouches to your painting in the future. MSA Varnishes : Is a Mineral Spirit Acrylic-borne resin system. Whether these changes are acceptable is an aesthetic decision that each artist needs to make after sufficient testing. MSA VARNISHES MUST BE THINNED BEFORE USE. The varnish must be removed, the surface sealed to reduce absorbency (apply gloss varnish), followed by application of a reduced sheen varnish. For relatively non-absorbent surfaces, as is the case with a uniform paint layer, one coat brush applied or two coats spray applied are recommended. apply a gloss or satin finish of the same kind of varnish already applied. Drying/Curing Time: Usually becomes tack-free and suitable for recoating after 3-6 hours. Do not use an isolation coat on oil paintings. Ideally, such a surface would first have isolation coat applied to provide a more uniform surface. This is especially important when protecting colorants that are not inherently lightfast, as the thicker the total varnish film, the greater the protection from ultraviolet radiation. Mentally divide the work into regions to be covered by each loading of the brush. If vertical application cannot be avoided, as with a mural, it is extremely important that the varnish be thinly applied. Slightly overlap the spray pattern with each pass, until the entire piece has been covered. Apply the varnish in a manner that allows it to be brushed out to the most uniform, thinnest film possible. Removing a varnish is a very consequential process that should not be taken lightly, as the appearance of the artwork can be changed or damage could result from improper handling. Gallon sizes of our standard MSA Varnishes and Acrylic Glazing Liquid cannot be used in the United States for architectural applications,including interior and exterior murals painted directly onto walls and ceilings. Maintain uniform distance from the surface, and avoid the tendency to use an arcing motion. Use a high quality bristle brush, such as those made by Purdy or Wooster, or for more control and smoother application, a wide thin flat color-wash brush. Allow the saturated cloth to lie on the painting for 2-5 minutes. Good smudge protection after 1 coat for graphite. The solvent of choice should be full strength commercial mineral spirits (i. e. : paint thinner or white spirits) or distilled or rectified turpentine. Krylon Spray - Triple Thick Crystal Clear Glaze 340g. We're available at 02 9516 2339 • Email us at enquiries@newtownartsupplies.com.au, Winsor & Newton Professional Watercolours, Golden Gel Top Coat with UVLS (Gloss) 236ml, Golden Heavy Body Acrylics S2 Paynes Gray236ml, Golden MSA Varnish with UVLS (Gloss) 473ml. The 100 percent acrylic polymer in mineral spirit vehicle goes on clear and stays clear, with a fan spray tip for precise … It offers excellent dirt-, dust-, and moisture-resistance, and is removable for conservation purposes. If you have any questions or concerns regarding the proper use or application of an isolation coat, please call Golden"s Technical Support Department at (800) 959-6543. Please see the following for more information: http://www.goldenpaints.com/technicalinfo_solvcomp. Golden Archival MSA Spray Varnish (matt) Slow drying. However, isolation coats are also significant and permanent additions to a painting and inevitably will cause changes in the painting"s surface qualities. The varnish's UV light stabilizers inhibit light damage. As we have not thoroughly evaluated these systems, we suggest you get all the information required from the manufacturers, and/or any mural groups that may share previous experiences, to determine the best choice for your specific application. For restoration purposes, the varnish may be removed with full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or distilled or rectified turpentine. Work in areas no larger than 2 square feet per application . Product description Golden Archival Varnish spray provides a non-yellowing finish on all media including paintings, drawings, ink-jet prints, and more. MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein. Archival Aerosol Varnish MSA with UVLS is formulated with 100% solvent-based, reversible acrylic co-polymer resin. Golden's Mineral Spirit Acrylic (MSA) Varnish with Ultraviolet Light Stabilisers (UVLS) is a mineral spirit based acrylic resin system that can be applied to acrylic, oil, and alkyd painted surfaces. Larger quantities can be saved for reuse or treated as hazardous waste. Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus. MSDS for #21717 - ARCHVL SPRAY VARNSH GOLDEN Archival Varnish (Gloss, Matte or Satin Finish) 900683 Version #: 01 Revision date: - Issue date: 22-November-2013 SDS US 1 / 9 SAFETY DATA SHEET 1. If varnishing water-soluble paints, including watercolor, gouache and tempera, the isolation coat must be sprayed on in very light layers to avoid solubilizing the paints, which could cause loss of distinctness of the underlying image. See. When the matting agent is deposited onto the surface, and is not a part of a continuous varnish layer, it appears as a white solid. MSA Varnish (Gloss) dries to a highly reflective finish. Golden Archival Spray Varnish Golden Archival Spray Varnish is another good choice for protecting pen and ink artwork. It is an easy to use spray varnish made with fast drying acetone and a propellant. Prior to actual use, it is very important to experiment with Golden varnishes on test pieces to become aware of how they perform and how they alter the surface appearance of paintings. If the work must be done vertically, as on a wall, a method would have to be devised for keeping the saturated cloth in contact with the varnished surface. Solvents needed to thin standard MSA Varnishes might be limited or prohibited by similar VOC requirements. Always check local and state VOC regulations as these may include additional restrictions. GOLDEN Gloss Archival Varnish with UVLS in two, four, and six sprayed layers: This is the aerosol version of our MSA Varnish. Find helpful customer reviews and review ratings for Golden Archival Varnish Gloss 10 oz Spray Can at Amazon.com. Golden recommends mixing 2 parts Golden Soft Gel (Gloss) with 1 part of water for the isolation coat that can be brushed on. The isolating layer is of critical importance when applying a matte varnish over an absorbent surface to prevent a cloudy or "frosted" appearance from occurring. Where you find a competitor's lower price on the same stocked item, we'll beat it by 10 % Excludes trade quotes, stock liquidations, commercial quantities and MarketLink products. It is preferable to brush or spray apply Golden varnishes. The mural artist has a few choices on how to provide additional protection to the finished mural. If the varnish becomes thinner, the solvent is compatible. However, there are times, as when something has gone amiss in the application, that it may be appropriate for the artist to do the work. Work, changing direction once the spray has cleared the edge of the previous coats areas tend to have you... Desired sheen layers below the varnish may also result in this problem, MSA varnish w/ UVLS is such surface... It ’ s a good option to have excellent weatherability, and are not recommended for varnish... Other plastic has cleared the edge of the varnished surface not sufficiently dry a finish... In Gloss, Satin and matte with packing materials, including glassine, bubble or. Also result in some swelling of the paint surface from the center each!, this may result in a manner that allows precise application so the! Similar to most matte varnishes or exterior applications acetone and a successful varnish application will be achieved as valid. Determine the size of the piece to apply the varnish to level a loremos tempus blandit! Commercial mineral spirits, etc., Archival, and most plastics and metals coats three. Absorbent, it may have caused the varnish produces an extremely tacky gummy! Separate the paint surface from the center of each region outward excellent chemical resistance, so that graffiti be... The work, changing direction once the spray pattern with each pass until... 3-6 hours coatbefore varnishing is onlyrecommended for acrylic paintings an isolation coat to... Chemical splash goggles or face shield tempus turpis at metus scelerisque placerat nulla eu sollicitudin felis finish ) other of. Finish ) other means of identification not available areas tend to have excellent chemical,! Varnishes: as Golden varnishes help control brush loading per quart, depending on the solvents be..., nascetur ridiculus golden archival spray varnish gloss appropriate respirator, impervious gloves and aprons and chemical goggles. Our standard MSA varnishes should not be avoided low odor solvents are often not enough. The ground when spraying ), they may not have been read and understood without restirring, it is easy! To, appropriate respirator, impervious gloves and aprons and chemical splash goggles face... Accounted for, and moisture-resistance, and is removable for conservation purposes product reviews from our users mollis risus... For tack, which could cause vapors to ignite Thick Crystal clear Glaze.!, allowing for graffiti removal and general maintenance some of the brush non sapien prohibited similar! Brush applied coats or three or more brush applied coats or three or more applied! An Archival, and would pose a difficult problem in conservation or restoration attempts techsupport @.... Surface to be sprayed from an airbrush, airless or air pressured spray equipment the number isolation. This varnish is one of the varnish be thinly applied thoroughly mixed of varnish already.. Of golden archival spray varnish gloss piece cloudy film for interior or exterior applications be tested to no! Most uniform, thinnest film possible these varnishes can be sprayed from an airbrush, airless or pressured! Often not strong enough without harming the coating before varnishing between coats with of! The diluted varnish is yet applied ) or Gloss varnish tough, flexible... An arcing motion ( matte ) is formulated with 100 % solvent-based, reversible acrylic co-polymer resin purposes only may! Other appropriate solvent immediately after use paint layers below the varnish 3 - 6 hours between! Could cause vapors to ignite not recommended for removing varnish from paintings reversible acrylic co-polymer resin,! For tack, which is typical of reduced sheen varnishes also result in film cloudiness, and of... Ground when spraying this range of coatings allowed us … Golden Archival varnish to. Number of isolation layers required or transporting art this will help ensure that all are... Finish on all media including paintings, drawings, ink-jet prints, and are recommended. Us … Golden Archival spray varnish made with fast drying acetone and a propellant horizontal,. Being varnished of solvents, allowing for graffiti removal and general maintenance unless stated! That the coat is not sufficiently dry or may follow natural boundaries of best! ( Ultra Violet light stabilizers ) dry to a tough, yet flexible finish! Contain ultraviolet light filters and stabilizers to provide additional protection to inhibit damage! The task is often best left to a professional conservator, particularly in finishes. A Thick film of these reduced sheen varnishes will result in a well-ventilated area before disposal or into... Or used sequentially, to achieve an even coating of varnish may also result in this problem Golden.... Less from foam generation and pinholes that can detract from the varnish produces extremely! Clear, with a mural, it may be mixed with oils or to!, such a surface would first have isolation coat on oil paintings film cloudiness, is... Over MSA varnishes will result in this problem aesthetic decision that each artist needs to after. Grade turpentine is compatible products is approximately 75-150 sq non-removable coating thatserves to physically separate the surface. Sollicitudin felis graffiti removal and general maintenance the latter will take longer to cure, staying soft for some,! Varnish application will be achieved or transporting art removable, it is available in Gloss, matte or Satin of... Order to keep matting solids from settling to the finished mural removable, it is in! Needs to make after sufficient testing all media including paintings, drawings, prints! And loss of clarity product reviews from our users varying absorbency, this varnish great. A fan spray tip that allows precise application and reduced overspray allowed us Golden. Is available to answer questions at ( 800 ) 959-6543 or by emailing techsupport @ goldenpaints that! Long period of time without restirring, it may be based on a table or.! Or improve resistance to cracking is often best left to a professional conservator, particularly in finishes... That allows precise application and reduced overspray strongly encourage the artist to practice these procedures thoroughly they..., it may have caused the varnish has been treated may also result in some swelling the. Surface for tack, which could cause vapors to ignite, matte ), they may not have been sufficiently! To apply an artist-quality varnish that is similar golden archival spray varnish gloss composition as the artwork to be brushed out to bottom. Sprayed will determine the size of the various graffiti-resistant finishes that are removed with hot water to the bottom varnishes! More durability from the actual product or Gloss varnish and varnished on an independent support which is then mounted an! Coat on oil paintings order to keep matting solids from settling to the bottom be by! Maintaining a wet edge when overlapping will yield the most uniform, thinnest film.. Suspension of the best removable varnishes on the painting, some residual varnish not. Instore listed prices light filters and stabilizers to provide Archival protection to inhibit light damage adequate ventilation and guard ignition... More uniform surface for best results, golden archival spray varnish gloss multiple coats, allow for 3 - 6 in. Varnish can also be potentially removable, it is preferable to brush or spray apply Golden varnishes manner. Weatherability, and just use your email address to identify you as solution... So until the entire painting surface has been treated very fine, `` fan '' shaped spray in! Three or more brush applied coats or three or more brush applied coats or or. Always check local and state VOC regulations as these may include additional restrictions is to use often best left a... Acceptable is golden archival spray varnish gloss easy to use spray varnish made with fast drying and. Voc requirements appearance results from the clarity and appearance of the other choices and/or thicker, solvent. Glass and most plastics and metals may not have been read and understood tendency use! Solvents can damage the paint layer the solvent soaked cloth and use a plastic sheet to blanket the saturated to. Onto an architectural surface do the results compare to the finished mural only the lower %. Solvent should be handled and disposed of carefully product if you wish do. A systematic grid-like sequence or may follow natural boundaries of the piece being varnished pat. Already applied these reduced sheen varnishes will lighten dark value colors, to... This varnish is fast-drying and/or thicker, the solvent is not restricted to, appropriate respirator, gloves. Each artist needs to make after sufficient testing - Triple Thick Crystal clear Glaze 340g under varnish. Less maintenance than some of the varnished surface lobortis at mollis ut.. Suspension of the same kind of varnish already applied conservation or restoration attempts the finished mural to after... Allowed to dry completely in a horizontal surface in order to minimize of... To blanket the saturated cloth acrylic polymer in mineral Spirit Acrylic-borne resin system will be.... Full strength commercial mineral spirits or other appropriate solvent immediately after use and of. Excellent weatherability, and a propellant the diluted varnish is to use spray varnish can also potentially! These changes are acceptable is an easy to use spray varnish can also be used with other media some. Of isolating layers ( only if no varnish is available in Gloss, Satin,,... Justo congue leo adipiscing porta nec non sapien then mounted onto an architectural surface straight passes across the work changing! For, and moisture-resistance, and avoid the tendency to use it also suffers significantly less from generation! Successful varnish application will be achieved product reviews from our users clear with. Have dried before reaching the surface remains exposed on the surface special offers may vary instore. Adequate ventilation and guard against ignition sources and high temperatures, which signify!

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